And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.

— Richard Serra

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Richard Serra | Bramme für das Ruhrgebiet | 1998/2014

As landscapes contain the palimpsest of human actions over time, they are also carriers of the past. Finding a way of keeping a memory alive is an act of resistance to losing our identity. The same stands for landscapes of memory.

— Panita Karamanea

In my later work, the person who is navigating the space, his or her experience becomes the content. So, the whole subject-object relationship is reversed. The content is you! If you don't walk into the work and engage with it, there isn't any content.

— Richard Serra

Biegen der Stahlplatten bei Pickhan Umformtechnik, 2003

Richard Serra | Dirk's Pod | 2003/04

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Richard Serra | O.I.C. | 1999/2012

Richard Serra | East-West / West-East | 2014

Richard Serra | Bramme für das Ruhrgebiet | 1998/2015

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Richard Serra; 1970