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In Atelier with Gregor Schneider
Eventually everything connects — people, ideas, objects […]. The quality of the connections is the key to quality per se.
Carl Andre | Rise | 2011
I wanna talk to you about another world, a completely different world - a world in which art had a meaning that had nothing to do with what art has for us, here - now. A place where art really was important - where it really made a difference - where it really defined with how people dealt with all the difficulties of their lives.
I'm a firm believer that you can never establish the rhythm of a film in the editing room. I believe all the rhythm is in the shooting, in the way you use the camera. A director is only a lion-tamer of the wild accidents and coincidences that come along.
Gerhard Richter | White | 2006
A painting by Newman is finally no simpler than one by Cézanne.
Design should not dominate things. Not dominate people. It should help people.
— Dieter Rams
JSWD Architekten + Chaix & Morel et Associés | Raum der Stille | 2010
Öl und Leinwand sind vertraut und haben, wie die rechteckige Fläche, bestimmte Eigenschaften und Grenzen. Diese Eigen- schaften werden vor allem mit Kunst identifiziert.
Dieter Rams | Braun LE 1 | 1959
Everyone can name films or music or paintings — things that give you a sense of sudden illumination. [...] Through these images I am connected and something is illuminated. And I know then that I am not alone.