
Richard Serra | Double Rift V | 2014
What separates us from yesterday is not a rift, but a change in position.
Richard Serra | Double Rift V | 2014
What separates us from yesterday is not a rift, but a change in position.
"Alles ist Skulptur!" rief mir quasi dieses Bild [von einem Werk Wilhelm Lehmbruck] zu [...] und ich hörte: "Schütze die Flamme!"
— Joseph Beuys; Dank an Wilhelm Lehmbruck
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If you think wearing thigh high stockings
will solve all of your problems
and make you attractive,
you are right.
Gregor Schneider setzt die Reihe der Ausstellungen in der Synagoge Stommeln mit der Arbeit Hauptstr. 85 a fort. Schneider wird als erster Künstler das gesamte Gebäude architektonisch bearbeiten. Sein Eingriff bringt die ursprüngliche Synagoge zum Verschwinden und fragt damit nach der An- und Abwesenheit des religiösen Raumes. Zusätzlich verleiht er dem nun "verlorenen Ort", der bislang nicht über eine postalische Anschrift verfügt, dauerhaft eine eigenständige Adresse.
sqq. Neuerburgstr. 21 | Totlast
In short, landscape is the link between our outer and inner selves.
— Bill Viola
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I fall daily in love with impossibilities.
Benicio del Toro
Fear and Loathing in Las Vegas, directed by Terry Gilliam in 1998
There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
— Raoul Duke
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Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.
They ride along not knowing what connects them, and they will not know it until death.
It is perhaps the misfortune of my life that I am interested in far too much but not decisively in any one thing; all my interests are not subordinated in one but stand on an equal footing.
— Søren Kierkegaard
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I don't tell the truth any more to those who can't make use of it. I tell it mostly to myself, because it always changes me.
— Anaïs Nin
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People haven't lost the ability to feel. They have lost the power to feel.
Don't ask them for their reasons. Just ask them for their feelings.
Installationsansicht, Zentrum für internationale Lichtkunst
Mischa Kuball | mies-mies | 2006/07
Though the sculptures are static, the mind of the viewer charges along vectorial paths to search out associations, depicted and implied. Like the [mathematical] equation there is unity, balance, and a captivating logic that holds the viewer on a course of discovery.
James Reineking, Physical Lines of Thought
— Michael H. Smith
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