If you ever ask me how many times you've crossed my mind, I would say once. Because you came, and never left.

— Ritu Ghatourey

20170430_004

[Sonntagmorgen; die Frisur sitzt.]

She. Silent, fawn-eyed. Clever.

— Sylvia Plath

A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another. [...] One might simplify this by saying: Men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: The surveyed female. Thus she turns herself into an object – and most particularly an object of vision: A sight.

— John Berger, Ways of Seeing

juchefashion2

[Feel the Juche; thank.]

Don't waste your time with explanations: People only hear what they want to hear.

— Paulo Coelho

[...] The U.S. warmongers are hysterically trying to ignite a war by mobilizing nuclear strategic assets without any measure to deal with the consequences to be entailed. The U.S. has now gone seriously mad. It is mulling frightening the DPRK and achieving something with nuclear strategic bombers, nuclear carriers, etc. However, the army and people of the DPRK will never be browbeaten by such bluffing. It is utterly ignorant of who its rival is. Gone are days never to return when the U.S. could threaten the DPRK with nukes. We do not regard the U.S. as something very threatening and fearful. [...]

— Ri Hak Nam; Rodong Sinmun

When something bothered me, I didn't talk with anyone about it. I thought it over all by myself, came to a conclusion, and took action alone. Not that I really felt lonely. I thought that's just the way things are. Human beings, in the final analysis, have to survive on their own.

— Haruki Murakami

20170428_002

Der ist in tiefster Seele treu, wer die Heimat liebt wie du.

— Theodor Fontane

sqq. *

classy

BROCKENBOW

I am a museum full of art but you had your eyes closed.

— Rupi Kaur

cy2

Cy Twombly | Trees | 1994

The progress of the soul.

ee1

[Shirt, Jeans, Bag, Ballet flats, Lipstick, Perfume.]

Classy; as always.

Young people, be careful. Beautiful things are disappearing every day. You don't need to be shopping at fast-fashion stores, especially young people. They are beautiful naturally, because they it's enough. Don't be too much fashionable. [...] The brand advertising is making you crazy. You don't need to be too sexy. You are sexy enough.

— Yohji Yamamoto

sqq. *

cities1

sqq. *

Nobody can help you. That's what love's all about [...]. You're the one having these wonderful feelings, but you have to go it alone as you wander through the dark. Your mind and body have to bear it all. All by yourself.

— Haruki Murakami

Philip Glass sagt ja selber: Die Musik hat keine Handlung, sondern die Handlung der Musik ist das, was in den Köpfen der Zuhörer passiert. [...] Man muss reingehen, sich öffnen und dann wird das Stück Dinge mit einem machen, die man wahrscheinlich selten erlebt.

— Florian Helgath

Wir stellen nicht den Anspruch, dass wir regieren, was im Kopf eines Zuschauers stattfindet, sondern der Zuschauer darf absolut sich seine eigenen Gedanken dazu machen. Wir machen ein Angebot und er kann das annehmen. Auf welche Weise er es annimmt oder ob er es vielleicht überhaupt nicht annimmt, ist seine Sache.

— Georg Holzer

sqq. Probeneinblicke

poc

Satoru Tamura | Point of Contact for Unna | 2017

There are no meanings, purposes or arguments here. The artist wants to get rid of them and want to make his work independent from any thoughts, principles and policies. He just wants to leave the work simply as it is.

[ZFIL Unna; revisited.]

Whatever happens around you, don't take it personally [...]. Nothing other people do is because of you. It is because of themselves. All people live in their own dream, in their own mind; they are in a completely different world from the one we live in. When we take something personally, we make the assumption that they know what is in our world, and we try to impose our world on their world. [...] There is a huge amount of freedom that comes to you when you take nothing personally.

— Don Miguel Ruiz

Kraftwerk | 3D Katalog | 2017

20170420_010

[Feel the Juche; thank.]

The older I get, the more I understand,
that it's okay to live a life others don't understand.

sqq. *

leben

sqq. *

Yes, be patient with me. My heart is heavy.

— Albert Camus

Half of her beauty is her mind.

20170420_008

[Feel the Juche; thank.]

Anyone who has no feeling for it cannot be made to understand it.

— Franz Kafka

sqq. *

Nobody is superior, nobody is inferior, but nobody is equal either. People are simply unique, incomparable. You are you, I am I. I have to contribute my potential to life; you have to contribute your potential to life. I have to discover my own being; you have to discover your own being.

— Osho

New restoration of Stalker; by Janus Films

sqq. *

Fortunately, some are born with spiritual immune systems that sooner or later give rejection to the illusory worldview grafted upon them from birth through social conditioning. They begin sensing that something is amiss, and start looking for answers. Inner knowledge and anomalous outer experiences show them a side of reality others are oblivious to, and so begins their journey of awakening. Each step of the journey is made by following the heart instead of following the crowd.

— Henri Bergson

Elena Mukhina; Korbut flip with twist, 1978

sqq. мастер спорта

We lose ourselves in things we love. We find ourselves there, too.

— Kristin Martz

ozu

小津

You're not in love. One day you'll understand.

— Mauvais Sang; dir. by Leos Carax, 1986

I'm going to tell you something: Thoughts are never honest. Emotions are.

— Albert Camus

sqq. *

sturm

Jörg Hartmann | Felix Vörtler

Tatort Dortmund, Sturm; inszeniert von Richard Huber, 2016

Die Dortmunder Tatort-Folgen sind inzwischen die einzigen noch ernstzunehmenden Beiträge aus dieser Sendereihe; sehr häufig das aktuelle Zeitgeschehen realistisch reflektierend und in einer stringenten, horizontalen Erzählweise inszeniert. In Sturm sogar fast in Echtzeit; Jack Bauer lässt grüßen.

hoger

Hannelore Hoger; als Leni Peickert.

[Bangs; as always.]

Die Artisten in der Zirkuskuppel: ratlos;
inszeniert von Alexander Kluge, 1968

The reason why a generation seems confusing is because the viewer's mentality itself is in chaos.

— Jean Cocteau

coffee

[My soul will find yours.]

Can you see me? All of me? Probably not. No one ever really has.

— Jeffrey Eugenides

Garry Kasparov ./. Pentium Processor

[Like me; in daily life.]

There are two types of sacrifices: Correct ones and mine.

— Mikhail Tal

Once you want to free your mind about a concept of harmony and music being correct, you can do whatever you want. So nobody told me what to do and there was no preconception of what to do.

— Giorgio Moroder

If you love deeply, you're going to get hurt badly. But it's still worth it.

— C. S. Lewis

at21

On the set of Stalker; dir. by Andrei Tarkovsky in 1979

sqq. *

In the end, we spend our lives alone — all alone.

— An Autumn Afternoon; dir. by Yasujirō Ozu, 1962

Nothing is lost, he says, all that you have ever seen is always with you.

— John Berger

alone1

One persons feelings are not enough for two people to live on.

— Boris Pasternak

No sooner does the door close behind me than I exclaim: What perfection in the parody of hell!

— E. M. Cioran

ic

Irene Cruz | Seele V | 2013

[And the air was full of spring.]

sqq. *

I do believe in an everyday sort of magic — the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of syncronicity; the whispered voice, the hidden presence, when we think we're alone.

— Charles de Lint

Une femme mariée; dir. by Jean-Luc Godard in 1964

[Bangs; as always.]

Be the love you never received.

— Rune Lazuli

b13

I remembered you — and wished you happiness.

— Zelda Fitzgerald

I've had my head tilted up to the stars for as long as I can remember. You know what surprised me most? It wasn't meeting them. It was meeting you.

Arrival; dir. by Denis Villeneuve, 2016

Eventually you will meet a person
who's tired of the games too, and
their loyalty will match yours.

legs2

Irene Cruz | Stimmung IX | 2013

[And the air was full of spring.]

sqq. *

I will lead you to fields you know nothing of.

— William Carlos Williams

esom

[Feel the Juche; thank.]

It's only because of their stupidity that they're able to be so sure of themselves.

— Franz Kafka

ah2

[He's back.]

But the story stays the same: Some of us would rather die than change. We love what will destroy us.

— Tony Hoagland

What you think of yourself is much more important than what others think of you.

— Seneca

Kim Jong-Il and Vladmir Putin meet in True Korea, 2000.

[Feel the Juche; thank.]

sqq. *

Two souls don't find each other by simple accident.

— Jorge Luis Borges

hegel

— Karl Marx

Crawl inside this body, find me where I am most ruined — love me there.

— Rune Lazuli

[Return to Russia.]

One cannot be deeply responsive to the world without being saddened very often.

— Erich Fromm

Eric Lobron ./. Judit Polgár, 1989

sqq. *

In chess, as in life, a man is his own most dangerous opponent.

— Vasily Smyslov

nos1

Nostalghia; dir. by Andrei Tarkovsky in 1983

Nostalghia is a film about waiting, about the long journey before the arrival.

— Ian Maxton

Don't make bad decisions for temporary happiness.

[Weekend plans.]

You were not only the essence of that moment but of all my moments.

— Charles Bukowski

20170904_004

[8:39; Lichtlaufzeit.]

I love you because I know no other way.

— Pablo Neruda

kimjongilia

[Feel the Juche; thank.]

sqq. *

You can love someone for a long time without knowing how.

― Eugene O'Neill

* 04.04.1932 - † 29.12.1986

In memory of

Emotions are not a luxury, they are a complex aid in the fight for existence.

— Antonio R. Damasio

WDR | Schach der Großmeister | 1983 - 2005

[...] das im Schach sehr viele Dinge sind, die auch im täglichen Leben sehr wertvoll sind. Also ich glaube überhaupt, Schach hat einen enormen, auch therapeutischen Sinn über das rein Spielerische hinaus.

— Helmut Pfleger

sqq. *

There will be no one like us when we are gone, but then there is no one like anyone else, ever. When people die, they cannot be replaced. They leave holes that cannot be filled, for it is the fate - the genetic and neural fate - of every human being to be a unique individual, to find his own path, to live his own life, to die his own death.

— Oliver Sacks

[Home of Cycling.]

Absolutely inside the emotion.

— Alice Notley

Maybe you don't know it, damn it [...] but there aren't many around like you (not any).

— Anne Sexton


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