Une femme mariée, dir. by Jean-Luc Godard in 1964
In diesen "Fragmenten eines 1964 gedrehten Films" Godards geht es darum, die Welt im Sinn der Semiotik als Sprache bewußt zu machen, als ein Zeichensystem, das es zu entschlüsseln gilt. Bilder, Wörter, Musik und Geräusche werden scheinbar willkürlich kombiniert, verweisen aber auf die im Alltag kaum bewußt wahrnehmbaren Manipulationen, die menschliches Verhalten steuern.
— FILMDIENST
sqq. *
Why must one talk? Often one shouldn't talk, but live in silence. The more one talks, the less the words mean.
— Jean-Luc Godard
Anna Karina
Le Petit Soldat, dir. by Jean-Luc Godard in 1960
You look nicer without makeup.
— Bruno Forestier
Art attracts us only by what it reveals of our most secret self.
All is linked. All is consequence.
Truth is in all things, even, partly, in error.
The cinema is not a craft. It is an art. It does not mean team-work. One is always alone; on the set as before the blank page. And for Bergman, to be alone means to ask questions. And to make films means to answer them. Nothing could be more classically romantic.